Art
Tom Wesselmann’s “Still Life No. 15” is one of the most uproarious pieces in this dynamic show.

Art and Appetite: Ravenous Beasts

You don’t have to be a foodie to appreciate the Carter’s new exhibit.
ANTHONY MARIANI
What we farm, hunt, buy, catch, kill, package, heat up, cook, serve, and enjoy privately or among others is merely a jumping-off point for Art and Appetite: American Painting, Culture, and Cuisine. The 60-piece touring show, up...


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Visionary Awards Moved to Thu, April 17

ANTHONY MARIANI
Congratulations again to the winners of our Fourth Annual Visionary Awards: director Adam Adolfo, conceptual artist Bradly Brown, and the art collective HOMECOMING! Committee. Due to a scheduling conflict, the date of our celeb...



Ayala’s work has been exhibited locally and in Dallas at The Museum of Geometric Art and MADI Art.

Hip to Be Square

Psychedelics, psychedelia, and geometry come together in young Sarah Ayala’s artwork.
KRIS LUTHER
Specializing in geometric pieces, twentysomething Fort Worth painter Sarah Ayala has displayed her work as part of exhibits by Fort Worth’s Art-Hunger Collective and at The Museum of Geometric Art and MADI Art in Dallas. You ...


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UNT Acquires Williams Collection

ANTHONY MARIANI
One of the largest, most diverse, and most historic photography collections in Texas has finally found a home. Consisting of more than 10,000 prints and 300,000 negatives –– plus correspondence, artifacts, and several vinta...



Though unavailable anywhere in Fort Worth, Semigloss can be purchased at several Dallas locations.

Semigloss: Sparkling Prose

A locally produced art magazine? Bradly Brown and Sally Glass have got you covered.
JIMMY FOWLER
Fort Worth new media artist Bradly Brown has had the kind of “urban artsy” college-and-career trajectory that the twentysomething characters on an HBO show often enjoy. The El Paso native studied photography as an undergrad...


This untitled work, part of Beyond Memory at Gallery 76102, was painted by Arlington’s Lois, who taught second and fourth grades for 26 years.

Colorful Memories

Alzheimer’s patients put their brushes to canvas and access sparkling depths.
JIMMY FOWLER
Lisa Buck, coordinator of the Memories in the Making art therapy program for the Alzheimer’s Association’s North Central Texas Chapter, remembers a particularly striking watercolor work she saw created in the program. The a...



Blay: “To have a full seat at the table is by definition an uncomfortable place.”

Frank’s Arrival

Is Chris Blay now an establishmentista?
ANTHONY MARIANI
He wouldn’t have ditched the event, but there’s a part of him that may have wanted to. Waiting for Christopher Blay at the Meadows Museum on the campus of Southern Methodist University last week were dozens of North Texas a...


“Pomegranate Grouping” nicely embodies Ivey’s abstract realism. Courtesy David Wharton

Carol Ivey’s Illuminations

Think twice before labeling this Fort Worth painter’s work “decorative.”
JIMMY FOWLER
Fort Worth painter Carol Ivey knows exactly when she fell in love with natural light. In the early 1980s, she was awarded an arts fellowship to work for 11 weeks on a small island called Ossabaw off the coast of Georgia. There ...



“Fromage” could have been perfect if Smith had been less literal.

Uplifted Spirit

Heavy-handedness keeps Jerry Smith’s exhibit from achieving glory.
ANTHONY MARIANI
In the annals of Fort Worth contemporary art, Vernon Fisher probably looms the largest. And for good reason. The veteran multimedia artist and painter is a complete badass. There’s really nothing that pops up in his head that...


Fantasy and color combine in painterly ways in Patrick Nagatani and Andree Tracey’s “Alamogordo Blues.”

In Living Color!

Amon Carter’s new exhibit isn’t comprehensive but still says a lot.
CHRISTOPHER BLAY
The new exhibit at the Amon Carter Museum of American Art contains all of its color in a black box. The entrance and exit to the galleries are darkened, resembling a camera obscura or dark chamber. These contraptions were used ...