Intimacy and Impact

The Chamber Music Society of Fort Worth goes in bold new directions.
Kristian Lin
Next year is the 30th anniversary of the founding of the Chamber Music Society of Fort Worth, and it’s a classical music organization whose work sometimes gets lost amid the hype of larger groups like the Van Cliburn Foundati...

Dracula is easily one of TBT’s most popular productions. And for good reason.

Lusty Dracula

Texas Ballet Theater’s spooktacular classic was a rip-roaring blast.
Leonard Eureka
In his 27 years leading the Houston Ballet, Ben Stevenson choreographed many full-length ballets, from Swan Lake to Don Quixote and beyond, including four of his own creations: The Snow Maiden, Peer Gynt, Cleopatra, and Dracula...

A troupe of actors looks to protect their talent after the apocalypse in Stage West’s Mr. Burns, a post-electric play.

Bart to the Future

The apocalypse gets Simpsonized in Stage West’s Mr. Burns.
Kristian Lin
The Simpsons was hardly the first cartoon to make humorous references to both highbrow and lowbrow culture, but the breakneck pace of its in-jokes and its willingness to get esoteric helped make it into the postmodern comedy in...

Jeremy Schwartz represents the hall-of-mirrors nature of Amphibian Stage Productions’ The Quixotic Days and Errant Nights of the Knight Errant Don Quixote

Well Don

This ain’t Man of La Mancha. Amphibian does up Don Quixote proud.
Kristian Lin
Reading Miguel de Cervantes’ Don Quixote is a strangely unsettling experience. It was written when the novel form was just being invented, which is perhaps why you don’t get the sense of a beautifully polished, structurally...

Wendy Welch (dressed as the Wicked Queen) and Shannon J. McGrann (dressed as Snow White) bicker on their way to a costume party in Vanya and Sonia and Masha and Spike.

Snow White and the Half-Naked Man

Vanya and Sonia and Masha and Spike gather for agreeable farce at Stage West.
Kristian Lin
Even during Anton Chekhov’s life, people were parodying his plays. They’re easily identifiable targets, with their Russian aristocrats sitting in drawing rooms with their ennui and commenting on the weather. Of course, the ...

Christopher Dontrell Piper and Whitney Coulter prepare for work in Sunset Baby.

To Love Somebody

Jubilee Theatre’s Sunset Baby gets a lot but misses the tragedy.
Kristian Lin
Dominique Morisseau is from Detroit, and she wants to be to her hometown what August Wilson was to Pittsburgh — the theater world’s teller of tales of the great city. However, her most recent play, Sunset Baby, is set in Ne...

Though the title of Jiri Kylian’s 1991 ballet losely translates into “little death,” an old French euphemism for “orgasm,” there wasn’t really anything sexual or erotic onstage.

Texas Ballet Theater: In Fine Form

Though a tad redundant, Artistic Director’s Choice was Grade-A quality.
Leonard Eureka
Repertory programs showcasing three or four short ballets, with a pas de deux thrown in sometimes for spice, have been the savior of small companies for decades. Little or no scenery and simple costumes keep production costs lo...

Mark Landson and pianist Thiago Nascimento are bringing the classics to the unwashed twice a month at the Live Oak. Photo by Serkan Zanagar.

New Ways

Bringing art music to the masses
Edward Brown
Violist Mark Landson has spent the better part of his 25-year career pondering the question that’s commonly on the minds of classical musicians: How the heck do you get average music lovers as excited about art music as they ...

Talise Trevigne goes mad in the fourth act of Fort Worth Opera’s Hamlet.

To Be or Not to Be … French

Fort Worth Opera gives some great singers to a Shakespearean rarity.
Kristian Lin
While some of William Shakespeare’s other plays have inspired more than one great opera, Hamlet seems to have resisted the operatic treatment through the centuries. Despite the play’s swordfights, court intrigue, and great ...


Dog Days Are Here

Fort Worth Opera’s production of a family in postapocalyptic America is chilling and unforgettable.
Edward Brown
The stage of W.E. Scott Theatre looked like your typical Middle-American home: nondescript dinner table, disheveled living room, a bedroom. But a closer look revealed that right outside the house was a 20-foot stack of full gar...