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Curtis Raymond Shideler, Bob Hess, Ben Phillips, and Jerry Downey hammer out artistic differences in Circle Theatre’s Don’t Talk to the Actors.

I’ve Been Played

Real talent is wasted on fake wit in Circle Theatre’s backstage comedy Don’t Talk to the Actors.
Kristian Lin
Oh, goody. Another play satirizing the world of the theatuh and the pretensions of the brilliant egomaniacs and thin-skinned artisans who inhabit it. If you’re going to tread this well-worn ground, you’d better bring someth...


Alexandra Farber and Jiyan Dai danced the pas de deux with beautiful, gentle lines.

Grab Your Partner

Texas Ballet Theater proves its dancers are masters of classical and contemporary.
Leonard Eureka
Texas Ballet Theater’s ability to perform evening-length classics and contemporary dance pieces with equal ease was brought to mind last weekend when the company presented a trio of modern works in Bass Performance Hall: the ...



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Poe Notes

Fort Worth Opera tackles Edgar Allan with mixed results in Buried Alive and Embedded.
Kristian Lin
Horror is particularly hard to do on the stage. A theater director doesn’t have the editing tricks and CGI available to filmmakers, nor can he or she allow the viewer’s imagination to fill in details the way a prose writer ...


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JFK Unbound

Labyrinthine plot aside, the music and performances at the world premiere of the Fort Worth Opera’s most ambitious commission to date were solid.
Edward Brown
As crowds piled into Bass Performance Hall last weekend, young men and women wearing cardigans, sharp suits with thin ties, box dresses, and other mainstream ’60s attire handed out red-white-and-blue election buttons with “...



Though nearly 50 years old, the choreography in Stevenson’s Cinderella still holds up. Photo by Ellen Appel.

Texas Ballet Theater’s Sweet Feet

Impressive dancing brought Texas Ballet Theater’s Cinderella to life again.
Leonard Eureka
Of all fairy tales, Cinderella is probably the most familiar. It has been recounted in books, plays, movies, TV shows, operas, and ballets. Each generation seems to embrace the story: A gentle young woman goes to live with a se...


Carolyn Judson was wonderful in Texas Ballet Theater’s Classic Combination. Ellen Appel.

Birthday for Ben

To celebrate the artistic director’s 80th anniversary, TBT danced up a storm.
Leonard Eureka
Ben Stevenson, artistic director of Texas Ballet Theater, turns 80 next month, and the company began celebrating early last weekend with a stunning triple bill at Bass Performance Hall. Classic Combination featured three great ...



Wendy Welch and Bob Hess plumb the mysteries of this book and their marriage in Stage West’s Sexy Laundry.

Strange Odors

Stage West’s marriage comedy Sexy Laundry is as sharp as old clothes.
Kristian Lin
My other duties at this publication have kept me away from reviewing theater for a while, but I got back on that horse this past weekend with Stage West’s Sexy Laundry, which is among the first Fort Worth productions of 2016....


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Intimacy and Impact

The Chamber Music Society of Fort Worth goes in bold new directions.
Kristian Lin
Next year is the 30th anniversary of the founding of the Chamber Music Society of Fort Worth, and it’s a classical music organization whose work sometimes gets lost amid the hype of larger groups like the Van Cliburn Foundati...



Dracula is easily one of TBT’s most popular productions. And for good reason.

Lusty Dracula

Texas Ballet Theater’s spooktacular classic was a rip-roaring blast.
Leonard Eureka
In his 27 years leading the Houston Ballet, Ben Stevenson choreographed many full-length ballets, from Swan Lake to Don Quixote and beyond, including four of his own creations: The Snow Maiden, Peer Gynt, Cleopatra, and Dracula...


A troupe of actors looks to protect their talent after the apocalypse in Stage West’s Mr. Burns, a post-electric play.

Bart to the Future

The apocalypse gets Simpsonized in Stage West’s Mr. Burns.
Kristian Lin
The Simpsons was hardly the first cartoon to make humorous references to both highbrow and lowbrow culture, but the breakneck pace of its in-jokes and its willingness to get esoteric helped make it into the postmodern comedy in...