Fort Worth native Brad Davis has played with Marty Stuart, Earl Scruggs, Billy Bob Thornton, Steve Earle, Warren Zevon, and Willie — where’s he been hidin’?
Few native sons have ridden their guitar as far as Brad Davis, who went from taking ax lessons in Fort Worth as a kid in the 1970s, to playing the Grapevine Opry in the 1980s with a bluegrass duo, to touring with the likes of M...
Modest Mouse frontman Isaac Brock is probably the most unassuming hero in modern rock, an idea he wouldn’t scoff at but would more than likely shrug off in silent bewilderment.
As the demise of West Seventh Street approaches, West Berry Street appears to be picking up some of the slack.
Somewhere in the atom-splitting genre distinctions that music critics like to confer, it got lost that pop can be punk and punk can be exuberant.
With its debut album, Tame ... Tame and Quiet makes a strong case for ragged, Pavementian pop.
After more than two years of tightening and polishing songs, Tame … Tame and Quiet finally has an album, Tin Can Communicate.
If Texas Music is the new classic rock, then the Stephen Pointer Band is the new Journey, a solid outfit that delivers no-nonsense, no-frills, melodic bombast: a lot of technical flash coupled with a lot of substance.
Despite two fires and a burglary over the past several months, Fred’s Texas Café keeps on keepin’ on.
Songs pour from Chris Knight like good whiskey from a bottle. He’s an independent-spirited chronicler of existential life in American small towns where there’s little to do and less to do it with.
With anger over the war in Iraq escalating and next year’s presidential election looming, there seems to be a lot of politically charged music coming out, though it could just be the enormous presence of the new Arcade Fire a...
I’ve tried to hate Oliver Future. I really have.