I’m worried. There’s this book out now by famed socio-economist Francis Fukuyama that confirms everything I’ve feared about hipster retro-culture.
During the first notes of “Dance of the Manatee,” the opening track on Fair to Midland’s new disc, Fables from a Mayfly: What I Tell You Three Times is True, the Texas band states its clear intent: to be extremely, umm, i...
Thanks to a solid work ethic and catchy tunes, Green River Ordinance creeps, one mile at a time, ever closer toward rock stardom.
The five members of the Fort’s hyper-melodic and grooving Green River Ordinance are all in their early 20s, and three of them dropped out of college (at TCU, UTA, and TCC) last year.
It’s been a while since I’ve seen Scott Copeland. I don’t know if the longtime singer-songwriter’s playing the Wreck Room on a regular basis like he once did back in the day, but every time I drop in on ...
Ex-Limp Bizkiteer Wes Borland still is trying to outrun his rock-rap past, and with his new outfit, Black Light Burns, he manages to distance himself a little.
Earl Musick’s fourth album, Duck & Cover, is made possible by the convergence of local talent with modern technology available to almost anyone with the few bucks needed to cobble together a studio.
There’s this one episode of Beverly Hills 90210 in which Brandon, Brenda, and the gang bring their rayon shirts, sideburns, and bi-level eye sockets, and go see some surf band at the Peach Pit.
It’s not typical that a record would contain one song called “Jump Blues” and another called “TechnicalElectronicSupersonicRobot,” but then The Frontier Brothers are into blending styles and surprising ears: ‘80s Eu...
A native son returns home from the Live Music Capital of the World® to kick-start his music career.
For the past five years, Josh Davis has been a staple on the Austin music scene.
Seems like just last week we were wrapping up our annual Music Awards – I can’t believe they’re back. (If you could hear my voice, you’d detect traces of wispy joy and a soupçon of anguish.)