“Record Player,” the opening track on Something in the Air, the new album from Dallas’ lo-fi chorus, has a jubilant, pop-rock sparkle and a powerful sense of immediacy — the song essentially rockets from your speakers. ...
Progressive-jazzbo Daymond Callahan may play as if he has a dozen fingers, but he’s still got only two hands.
Life is a constant balancing act for progressive jazz, funk, and gospel pianist Daymond Callahan.
Robben Ford has peace on his mind — and bad women, the kind who burn bright but wear out their welcomes. On the bluesy Truth, he tries to tell them goodbye or at least convince them to change their ways.
Here they are ...
Quarter score and a couple-a years ago, Fort Worth Weekly brought forth on this great town of cow a new major award, conceived in music and dedicated to the proposition that all bands are not created equal.
By 5:30 p.m., the line in front of McDavid Studio looked like a really big mosh pit that had been stretched into a noodle.
Dallas-based Raleigh’s unique brand of hyper-melodic, shoe-gazer rock has been getting a lot of buzz lately.
Black Francis is an old stage name for Frank Black, an old stage name for Charles Thompson, lead singer of The Pixies. Bluefinger, Black Francis’ debut, could be a kissin’ cousin to the defunct punk legends’ classic Dooli...
After Ryan Adams’ startling debut, Gold, in 2001, he seemed to start spitting out a record every six months or so. By the time he released Cold Roses in 2005, he had apparently run out of steam. Naturally, folks wondered if t...
Without a stitch of melody or commitment to anything resembling rhythm, Horse The Band creates the ultimate pop quiz for your ears.
When the son of a Southern preacher and the orphan daughter of a Southern family get together to record an album, it’s not surprising that it would sound like deep-rooted gospel-country-folk filtered through modern sensibilit...