On Monday, the FCC and the four major commercial radio conglomerates reached an agreement that will result in more airtime for independent artists.
In 2004, as Austin singer-songwriter James McMurtry was barricading himself behind a career iron curtain over the Iraq War, a more obscure musical entity from the state’s capital made its recording debut with a bright-eyed, c...
With some national exposure and a superlative new record under their belt, the Radiant boys can only go up.
Daniel Hopkins, 26-year-old drummer for the North Texas synth-pop outfit Radiant, talks in almost spiritual terms about the group’s performance before a million-plus plus live spectators at Times Square’s New Year’s Eve 2...
A million years ago, Black Sabbath, heavy metal’s original Saurians, electrocuted the blues to invent an ominous breed of devil-courting, mom-scaring music.
For the past four years, Spune Productions has been in the vanguard of hip music in the Metroplex. A ton of cool indie bands that have been written about in hipster bibles like SPIN and Pitchfork Media have come through the reg...
Wincing the Night Away, The Shins’ new album, picks up quickly where the band left off four years ago with Chutes Too Narrow.
More Behind The Picture Than The Wall is a c.d. filled with “leapers and weepers” — a mix of upbeat, banjo-laced, toe-tapping hillbilly dance tunes and slow, sentimental songs about loss — from one of today’s most hon...
The Kül is a classic rock act for the ’00s.
Before Dallas’ blues-rock outfit The Kül take the stage, drummer Ross Martinez spins some vinyl to set the mood. His favorite choices are classic rock’s finest: The Beatles, Led Zeppelin, and especially Jimi Hendrix. One n...
Establishing supernatural, groove-oriented funk on a nightly basis would prove an exhausting task for your average musician, but San Diego’s On The One manages to crisscross the country and deliver earth-shaking, soulful inte...
There are just some neo-traditional country songs that have “classic” written all over them, and Jerrod Niemann’s “I Love Women (My Momma Can’t Stand)” is one.