On Monday, the FCC and the four major commercial radio conglomerates reached an agreement that will result in more airtime for independent artists.
Wincing the Night Away, The Shins’ new album, picks up quickly where the band left off four years ago with Chutes Too Narrow.
More Behind The Picture Than The Wall is a c.d. filled with “leapers and weepers” — a mix of upbeat, banjo-laced, toe-tapping hillbilly dance tunes and slow, sentimental songs about loss — from one of today’s most hon...
Establishing supernatural, groove-oriented funk on a nightly basis would prove an exhausting task for your average musician, but San Diego’s On The One manages to crisscross the country and deliver earth-shaking, soulful inte...
The Kül is a classic rock act for the ’00s.
Before Dallas’ blues-rock outfit The Kül take the stage, drummer Ross Martinez spins some vinyl to set the mood. His favorite choices are classic rock’s finest: The Beatles, Led Zeppelin, and especially Jimi Hendrix. One n...
For the past four years, Spune Productions has been in the vanguard of hip music in the Metroplex. A ton of cool indie bands that have been written about in hipster bibles like SPIN and Pitchfork Media have come through the reg...
Had Ben Kweller been alive and making music during the ‘70s, he would have made a killing writing theme songs for classic television shows.
One-man blue-eyed soul band Browningham is back, and once again, he’s black.
Incredibly, there are a lot of scenesters here who have no idea who Nathan Brown is. None!
There are just some neo-traditional country songs that have “classic” written all over them, and Jerrod Niemann’s “I Love Women (My Momma Can’t Stand)” is one.
As a rockabilly pioneer, Johnny Cash sang what some people called the devil’s music.