The 24th National Cowboy Poetry Gathering is coming up at the beginning of next year in Elko, Nev., and two Fort Worthians will be there, representin’.
The simply titled Cornell 1964 is one of the previously undiscovered gems from the too-short career of jazz genius composer, arranger, and bass player Charles Mingus. This first-time release, recorded March 18, 1964, at the New...
Drowning Pool is not a political band in the same way that Richard Nixon was not a crook.
Mixing punk, Irish folksong, and twang, Panther City Bandits are a welcome anomaly.
A couple of weeks ago at a Wreck Room show, a crowd of about 50 rowdy concertgoers trashed the place.
Recorded in three cities with three different backing bands, Going Way Out With Heavy Trash is Jon Spencer and Matt Verta-Ray’s tribute to the roots of rockabilly.
Cross Canadian Ragweed embodies the “weed, whites, and wine” lifestyle of the Red Dirt-Texas Music practitioners, but apparently Cody Canada and his gang aren’t as stoned as they look.
“Sell me / I’m a skeptical boy.” So opens Church Mouth, the second album by Alaska’s Portugal. The Man.
The debut album by young, veteran slinger-singer Drue Webber goes deep.
A 12-year veteran of the local blues scene, Fort Worth singer-songwriter Drue Webber has finally released a solo album.
Prolific singer-songwriter James Michael Taylor has something to say. Dammit.
Little Rooster wasn’t a hero. He was a small-town constable who always wanted to play cop.
Dee Dee Bridgewater’s Red Earth: A Malian Journey is a masterful mix of American jazz, traditional African songs and sounds, and improvisation that documents her journey “home.” The album gets toes tapping while simultane...