To celebrate its return to good health from a recent fire, Fred’s Texas Café is hosting two appropriately Fred-ish bands on the patio tomorrow (Thursday). Part Southern rock, part Son Volt, and all Pabst Blue Ribbon, Dou...
With ample support from Josh Hoover, Cory Helms, Meredith Knoll, and a cast of thousands drawn from a deep pool of Golden Triangle musicians, melancholy pop rocker Steve Duncan has crafted a neatly arranged, soulful bakers’ d...
Funny how a lot of melodic rockers seem to require an angsty outlet. When he’s not with The Burning Hotels, bassist Coby Queen spends some time with The Red Herrings, a garage-based R&B band that’s raw and ragged where...
Combining traditional Mexican/Colombian folk styles cumbia and vallenato with bits of reggae, calypso, rock, rap, and turntable mixing and scratching, Fort Worth-based Amistad’s six-song, self-named c.d. is party music and a ...
In 1987, Gammacide guitarist and co-founder Rick Perry (definitely not the governor) said his band was “built on the premise of ecological warfare and destruction.”
Don’t know if you got a chance to catch Wonderful Façade and Associate Editor Anthony Mariani on CBS-11′s morning show late last month, but here’s what happened. The band was great.
Most rock bands develop respect not by fancy book-learnin’ but by playing holes-in-the-wall for peanuts.
On Promise, a seductive reggae album with strong hip-hop elements, Elvis White urges listeners to think positively — and then urges himself to seduce that woman whose body (or maybe it’s all of her) he just wants to love.
“Pop!” goes the hot Seattle-raised quintet Pretty Girls Make Graves, and their fans seem pretty divided. PGMG always resembled a more canny, if less ballsy, version of Sleater-Kinney, and on Elan Vital, they sound poised to...
White Whale’s bio reads like a parody of the worst press releases. In a few hundred words, the band is compared to a seemingly random assortment of groups, from Badfinger to Black Sabbath to Big Star. The reader is then treat...