Posts Tagged ‘death’
As grim accounts of the earthquake in Haiti came in, the accounts in U.S. news media all carried the same sentence: “Haiti is the poorest country in the Western hemisphere.”
Talented though he is, Colin Firth has never shown that much range. While his close contemporary Hugh Grant has made a career out of playing different variations on the same randy bon vivant, Firth has made his largely by playi...
Destined to be Hank Hill’s least favorite art show, Death of a Propane Salesman is all about anxiety, and is there ever a lot of it in Lawrence Lee’s picture of a crazed horse or Seth Alverson’s apocalyptic ta...
John Q. Public
To the editor: The Nov. 11 Static column, “What Will it Take?,” continues the saga of Taser guns and the dangerous, sometimes lethal ramifications from their 50,000-volt power.
Sometimes, surely, opponents of Tasers must feel like they are in a nightmare, where they are screaming but no sound comes out. Especially in states like Texas where, despite a growing death toll, too many law enforcement agenc...
A well-earned tip of the hat to Tarrant County Medical Examiner Nizam Peerwani, whose long-awaited decision on the April 18 cause of death of 24-year-old Michael Patrick Jacobs Jr. – who died shortly after being jolted tw...
The Federal Bureau of Prisons seldom loses when a prisoner’s family tries to take it to court to right some wrong. Two weeks ago it did.
“Breaking News: Michael Jackson Still Weird and Still Dead!” CNN plays continuously throughout the day at my house as a kind of background noise. The amount of coverage being given to Jackson’s death is smothering, and I ...
Here’s what I remember of Derek St. Holmes: listening to “Stranglehold” over and over while doing curls with red Kmart weights in front of a full-length mirror in my stuffy attic bedroom nine million years ago.
From cast to stagehands to music, Fort Worth Opera’s production of Angels in America is nearly immaculate.
Perhaps the best way to describe Fort Worth Opera’s production of Angels in America, composer Peter Eötvös and librettist Mari Mezei’s adaptation of playwright Tony Kushner’s Pulitzer Prize- and Tony-winning...