Posts Tagged ‘love’
New muddy-rock trio Vincent’s got a lot of buzz — and promise.
Here’s a timeless image of a twentysomething bassist in a new band: Coby Queen answers his cell phone for a 1 p.m. interview, then asks for a few minutes’ reprieve.
Malcolm Holcombe sounds like a hillbilly sort of Tom Waits as he delivers keeping-a-used-car-on-the road sort of greasy Appalachian-based folk-blues on his excellent new Gamblin’ House.
Fort Worthian Betty Buckley enjoys a resurgence of sorts, much to one writer’s glee.
A gift from 40 years ago arrived in the mail just before Christmas, a CD called Betty Buckley 1967, with the semi-iconic Fort Worth entertainer smiling playfully on the cover.
As fans of both The White Stripes and progressive classic rock, The Red Herrings – guitarist-singer Joe Hill and drummer-backup vocalist Matt Lombard, plus some contributors – are smart songwriters, paying close att...
Betty Harris is back.
A double dose of Javier Bardem, in English-language films of varying quality
Javier Bardem made his American debut and snagged an Oscar nomination all in one bang when he portrayed the gay Cuban poet Reinaldo Arenas in the 2001 biopic Before Night Falls.
My philosophy on tribute albums: When covering popular songs, a band should make its own artistic statement rather than mimicking the original.
Fort Worth Star-Telegram film critic’s debut novel, A Push and a Shove, pulls a neat trick by not being purely gay fiction but also wholeheartedly of it.
Classic novels of homoerotic obsession — titles like Evelyn Waugh’s Brideshead Revisited, Thomas Mann’s Death in Venice, and, if you want to give it a queer-theory spin, John Knowles’ A Separate Peace — have tradition...
Alan Jackson may be one of a few current country music stars whose careers will last longer than a frozen margarita or one of those fruity drinks with umbrellas.
The craziness is contagious in this claustrophobic, unsatisfying thriller.
Purely from an intellectual standpoint, the existence of Bug tickles me. I love how it starts out as a kitchen-sink indie drama and then turns into something weirder and more menacing halfway through.