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Seen in this rendering, the Piano Pavilion Performance Hall is part of the Kimbell’s $135 million expansion.

A Sound Structure

Cowtown Puppetry Festival

Figaro into Three Decembers

Black Songs Matter

Flights of Fancy

Stage

Stage

A Lone Star at Piano Texas

A classical music star was born last week at the final concert of the Piano Texas Festival in TCU’s Ed Landreth Auditorium. If one...

White Christmas: Winter Wonderland

Only a few thousand Texans caught a glimpse of the snow showers that fell in November. Irving Berlin’s White Christmas debuted at Bass Performance...

Madrileños Locos

A little more than a month ago, the news dropped that Adam Adolfo was leaving his job as artistic director of Artes de la...

She Stoops Don’t Stop

Asking a Texan to act with a British accent for two hours is like prodding a knight to swim the Rio Grande in a...
Jubilee kicks up its heels — too far? Buddy Myers

Black Spurs Jingle

Tre Garrett has been artistic director of Jubilee Theatre for almost two and a half years now. He replaced Ed Smith, who served briefly...

Il Trovatore: The Voice

In a dramatic switch from its madcap version of The Mikado two weeks ago (see: “FWO’s Contempo Mikado,” May 18), Fort Worth Opera unveiled...

A Newbie Night at the Opera

I liked Fort Worth Opera’s Tosca so much I made my friends go see it. I didn’t really make them go, but I did talk...

Taking Wing

Many years ago, when Violet O'Valle was a drama teacher in Houston public schools, she discovered a collection of scripts by the great Irish...

Cuban Cat on a Hot Tin Roof

Adam Adolfo, executive director of Artes de la Rosa, spent many hours researching the life and artistic philosophies of playwright Tennessee Williams before staging...

Fort Worth Opera Sings

Comedies from both ends of the spectrum opened the Fort Worth Opera Festival last week at Bass Performance Hall: Don Giovanni, Mozart’s dark look...