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Two Exhibits, One Architect

Disgraced: Deliver Us to Evil

Black House Shines

A Reviving Mural

Blotch Jumbo

Arts

Arts

Gallery

Lou Chapman intentionally used a faulty Chinese-made toy camera with a plastic lens to take the pictures in his show at Gallery 414, Metaphors...

Bewitching

Although The Dance on Widow's Row isn't advertised as a Halloween show, Jubilee Theatre's latest comic outing offers up a carnival whirl of splendidly...

Gallery

UTA's students (and the rest of us) get their periodic look at what their teachers have been up to as the school holds its...

CD, Sharp

A major element of Fort Worth Symphony Orchestra's renaissance in this decade has been the willingness of conductor Miguel Harth-Bedoya to program and promote...

Agile Acting

Famous playwrights don't offer succinct explanations of their plays very often. Of course, Steve Martin was famous as an absurdist comic star long before...

Legs and Tails

Last weekend at Bass Performance Hall, there were many bright spots in Texas Ballet Theater's season-opening performance of The Russian Masters, a repertory program...

Gallery

J.T. Grant's chiaroscuro-heavy paintings are an unusual departure for William Campbell Contemporary Art, which tends to favor friendlier, more abstract works. Pieces like "Advocate's...

**ONLINE EXCLUSIVE**

Back in the 1960s and 70s most people under 30 would have given their left nostril to be Chris O'Dell.   The Tucson native...

Everyfamily

New York audiences were understandably abuzz when Thornton Wilder's The Skin of Our Teeth debuted way back in 1942. Wilder was already considered an...

Gallery

At Gallery 414, Ian O'Brien's multimedia installation imagines the artist as the sole inhabitant (wearing various guises) in a town of his own creation....