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Hare-y Ride

Feel the Noise

Hare Raising

Shall We Dance? And More?

Blotch Jumbo

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Legs and Tails

Last weekend at Bass Performance Hall, there were many bright spots in Texas Ballet Theater's season-opening performance of The Russian Masters, a repertory program...

Falling Water

By the end of last weekend's performances, Amphibian Productions artistic director Kathleen Anderson Culebro must've been sick of all the jokes she was hearing...

Rabbit Redux

What a strange play is Harvey, Mary Chase's 1944 Pulitzer Prize winner. It's as dated and syrupy sweet as a fruitcake, yet it also...

Hot Shorts

Depending on how you look at them, Andy Warhol's famous early short films Kiss (1963) and Blow Job (1964) are either cunning scams on...

The Shape of Things

Chalk it up to fate, or astrology, or good genes destined to collide, but it's not surprising that two of Fort Worth's best actors...

Hard-Earned

Judging by last Sunday's matinee at Theatre Arlington, the arc of the universe bends not just toward justice but also toward farce. What else...

Bardolatry?

Last Friday night's performance of Twelfth Night proved that Willie's name is still box-office gold. The house was sold out. But were the good...

No Doubt

In Circle Theatre's production of Hail Mary!, an actor tells a joke that sounds like a classic from parochial school circles: During a holiday...

Tone Deaf

With a relatively small collection of scripts to her name, New York playwright Sarah Ruhl has been praised as one of the premier American...

Keyed In

Sometimes the reputation of greatness can be stifling. That's the conclusion you arrive at if you've seen other, frequently staid August Wilson productions and...