Stage

No Moz-aleum

Stage
If Fort Worth Symphony Orchestra conductor Miguel Harth-Bedoya had led an all-Mozart Festival six years ago when he first came to town, it would have been a cautious, tentative journey. His youthful forays into 18th-century mus...


Hell to the Chief?

Stage
It’s assumed that the majority of regular theatergoers lean a little bit to the left politically. If that’s true, then the myriad presidential misdeeds by our current clueless leader must be much on the minds of the audienc...



Turn of the Screw

Stage
Playwright, screenwriter, and tv scribe Richard Dresser once told an interviewer, “I’ve had occasion to work at a series of jobs ranging from a plastics factory where I made G.I. Joe’s thighs … to Hollywood, where I...


Foot Faddish

Ben Stevenson’s Cinderella outshines his former company’s trendy, modern approach.
Stage
When Ben Stevenson left his long-time directing job with Houston Ballet four years ago to join Texas Ballet Theater, he brought along with him … Houston Ballet?