SHARE
Gerard Butler stars as ‘Mike Banning’ in ANGEL HAS FALLEN. Photo Credit: Simon Varsano.

OPENING 

After the Wedding (PG-13) A remake of the acclaimed 2006 Danish film, this drama is about an Indian orphanage director (Michelle Williams) who travels to New York to meet a wealthy business mogul (Julianne Moore) who intends to donate a large sum of money to her organization. Also with Billy Crudup, Abby Quinn, Will Chase, Eisa Davis, Alex Isola, and Azhy Robertson. (Opens Friday in Dallas)

Angel Has Fallen (R) Less racist than the first two movies in this story, but still as dumb as ever. Gerard Butler’s Secret Service agent is in line to be the agency’s new director when he’s framed for a terrorist attack that kills a bunch of his comrades and leaves the new U.S. President (Morgan Freeman) in a coma. As always, the women are peripheral, Butler’s acting is all jaw-jutting machismo, and the hero survives attacks that leave body counts that would qualify for national disaster status. New director/co-writer Ric Roman Waugh (Snitch) at least has a background as a stuntman, so the stunts are done reasonably well, but when there’s so little creativity in the rest of the movie that you can sniff out the villains so easily, it doesn’t do much good. Also with Danny Huston, Tim Blake Nelson, Jada Pinkett Smith, Piper Perabo, Lance Reddick, and Nick Nolte. (Opens Friday)

Burn (NR) Josh Hutcherson stars in this thriller as a would-be gas station robber who forges an unexpected connection with the attendant on duty (Suki Waterhouse). Also with Harry Shum Jr., Shiloh Fernandez, James Devoti, John D. Hickman, and Tilda Cobham-Hervey. (Opens Friday in Dallas)

lifespan_fww_300x250

Jacob’s Ladder (R) This remake of Adrian Lyne’s 1990 psychological thriller stars Michael Ealy as a Vietnam War veteran who suffers hallucinations when he returns stateside. Also with Jesse Williams, Nicole Beharie, Joseph Sikora, and Karla Souza. (Opens Friday in Dallas) 

The Nightingale (R) The second film by Jennifer Kent (The Babadook) stars Aisling Franciosi as a 19th-century Irishwoman who seeks revenge on the British Army officer (Sam Claflin) who raped her on the island of Tasmania. Also with Baykali Ganambarr, Damon Herriman, Harry Greenwood, Ewen Leslie, Charlie Shotwell, Claire Jones, and Luke Carroll. (Opens Friday in Dallas)

Overcomer (PG) Alex Kendrick stars in his latest Christian film as a high-school basketball coach who is forced to train a single cross-country runner (Aryn Wright-Thompson) after massive unemployment in the area scuttles his team. Also with Shari Rigby, Priscilla Shirer, Ben Davies, Holly Morris, Kendrick Cross, and Cameron Arnett. (Opens Friday)

Tel Aviv on Fire (NR) This Israeli comedy stars Kais Nashif as a Muslim writer on a popular TV soap opera who is caught in a dispute about the show’s ending. Also with Lubna Azabal, Yaniv Biton, Maisa Abd Elhadi, Nadim Sawalha, and Salim Dau. (Opens Friday in Dallas)

Tone-Deaf (R) Amanda Crew stars in this comic horror film as a woman who falls into the hands of a psychopath (Robert Patrick) while fleeing a bad relationship. Also with Hayley Marie Norman, AnnaLynne McCord, Johnny Pemberton, Nancy Linehan Charles, Kim Delaney, Ray Santiago, Ray Wise, and Keisha Castle-Hughes. (Opens Friday in Dallas)

NOW PLAYING

Aladdin (PG) At last, a Hollywood movie where the Middle Eastern characters are the good guys. This live-action remake of the 1992 animated Disney musical fixes a good number (though not all) of the racial and class issues from the original. The decor helps differentiate the film from Disney’s other live-action remakes and forces Guy Ritchie out of his comfort zone to good effect. It isn’t all good, though, because Ritchie is rarely comfortable staging musical numbers and can’t match the wit of the animation in the original movie. (The new songs don’t add much, either.) However, the movie gives good roles to a cast full of Middle Eastern actors (Mena Massoud as Aladdin sings well and has the dance moves), and Will Smith avoids embarrassing himself as the genie and makes the part his own. We’ll take that much. Also with Naomi Scott, Marwan Kenzari, Navid Negahban, Nasim Pedrad, Numan Acar, and Billy Magnussen.

Already Gone (NR) This low-budget drama stars Tyler Dean Flores as a teenager who runs away from his abusive household with his stepfather’s girlfriend (Raquel Castro). Also with Seann William Scott, Justine Skye, Jim Klock, John D. Hickman, and Shiloh Fernandez. 

The Angry Birds Movie 2 (PG) Not nearly as objectionable as the first movie. The sequel to the 2016 animated hit has the birds and the pigs banding together when an eagle (voiced by Leslie Jones) starts hurling giant balls of ice at both of their islands. The second film sports an entirely new creative team, and they come up with some good stuff about Red (voiced by Jason Sudeikis) worrying about losing his war-hero status if there’s no more war and being forced to cede control to Chuck’s engineering genius sister (voiced by Rachel Bloom), as well as a running gag with some hatchlings losing and trying to recover some unhatched eggs. Maybe the enterprise lacks substance, but at least it has some out-loud laughs. Additional voices by Josh Gad, Danny McBride, Peter Dinklage, Bill Hader, Awkwafina, Eugenio Derbez, Maya Rudolph, Tony Hale, Beck Bennett, Gaten Matarazzo, Lil Rel Howery, Pete Davidson, Zach Woods, Dove Cameron, Nicki Minaj, Sterling K. Brown, and Tiffany Haddish. 

The Art of Racing in the Rain (PG) The best auto racing film of the year, though that doesn’t necessarily make it good. Based on Garth Stein’s novel, the story of an aspiring Formula One driver (Milo Ventimiglia) is narrated from the point of view of his golden retriever (voiced by Kevin Costner). This might seem like another unbearable film about a dog, but the auto racing stuff keeps the cute dog business from being overpowering, while the dog’s point of view prevents the series of tragedies that befall the protagonist from becoming too much. Still, Costner’s voiceover makes mush out of the humor in Stein’s writing, and the material (with its intimations about the next world) still emerges pretty soft-boiled. Then again, this could have been quite a bit worse. Also with Amanda Seyfried, Martin Donovan, Kathy Baker, Ryan Kiera Armstrong, McKinley Belcher III, Al Sapienza, and Gary Cole. 

Blinded by the Light (PG-13) Sometimes this movie plays like a glorified fan letter, but the way it’s rooted in its time and place helps make it so accessible. Based on Sarfraz Mansoor’s memoir, this film stars Viveik Kalra as a Pakistani teenager growing up in Luton, England, in the 1980s who has a life-changing encounter with the music of Bruce Springsteen. Director/co-writer Gurinder Chadha has some trouble with pacing (as she did in Bend It Like Beckham), but she knows this South Asian-British territory, as well as Mrs. Thatcher’s Britain, with its austerity and white racists who don’t bother to be subtle. The film’s issues of craftsmanship are more than offset by the way it captures the hope that the America of The Boss’ songs used to offer the world. Also with Kulvinder Ghir, Nell Williams, Meera Ganatra, Aaron Phagura, Dean-Charles Chapman, Nikita Mehta, Tara Divina, Rob Brydon, Sally Phillips, and Hayley Atwell.

Brian Banks (PG-13) A 1990s-style inspirational legal drama that ends up being a throwback in the wrong ways, this biography is about the real-life high-school football star (Aldis Hodge) who was falsely accused of rape and imprisoned for six years until an innocence project founder (Greg Kinnear) cleared his name in time for him to play briefly in the NFL. As I mentioned, all this actually happened, but the movie’s rendition of the facts not only turns it into yet another white savior film but also tells us that girls easily make up rape stories and football players are worth more than the rest of us. Moreover, Hodge isn’t charismatic enough to convince us that all the project’s lawyers are immediately on fire to save him. Even if ‘90s relic director Tom Shadyac didn’t intend these to be his film’s message, that’s what comes out. Also with Sherri Shepherd, Melanie Liburd, Tiffany Dupont, Xosha Roquemore, Dorian Missick, and Matt Battaglia.

Crawl (R) Alexandre Aja just loves a thriller that puts a beautiful woman through tortuous abuse of every kind, and this is the best one he’s done. Kaya Scodelario (The Maze Runner and its sequels) plays a University of Florida varsity swimmer who travels south during a severe hurricane to rescue her father (Barry Pepper), who’s been injured by an attack from an oversize alligator. The French director keeps things simple, as father and daughter have to avoid the rising floodwaters in their house to keep from being eaten. The simplicity gives the film a momentum that has been missing from some of Aja’s forays into horror. As for the ethereally beautiful Scodelario, she keeps her American accent on and looks good dragging herself through mud and wading through waist-deep water. Actresses don’t act in Aja’s films, they survive them. Also with Morfydd Clark and Ross Anderson.

The Divine Fury (NR) What the hell is this? One of the weirdest films all year is this South Korean thriller that starts out being about an MMA fighter (Park Seo-joon) channeling his rage to become a champion. Then the fighter starts suffering stigmata, finds a Vatican-connected priest (Ahn Sung-ki), and discovers his destiny to become a super-exorcist who punches demons so hard that they burst into flames. South Korea has a tradition of exorcism movies, and they’re not all Christian. This thing is supposed to be a serious inquiry into Christian faith, since the hero is a lapsed Christian who gave up his faith after his cop father was killed when he was a boy. The movie is too goofy to work as such, but this is unlike any Christian film, martial-arts film, or horror film that you’ve seen. Why can’t all exorcism movies end with a scaly demon engaging in a tae kwon do fight against a hero whose fists are on fire? Also with Woo Do-hwan, Park Ji-hyun, Choi Woo-sik, Jung Ji-hoon, Lee Seung-hee, Kim Si-eun, and Lee Seung-joon. 

Dora and the Lost City of Gold (PG) Adapted from the beloved animated TV show Dora the Explorer, this live-action movie isn’t exactly ground-breaking, but it has enough self-awareness to make it a different creature from the show. Isabela Moner plays the plucky explorer who’s packed off to high school in L.A. by her parents (Michael Peña and Eva Longoria) after she addresses a few too many imaginary cameras, only to be kidnapped by treasure hunters who suspect that her parents know the location of a lost Inca city. The story doesn’t come to much of a point and the young cast is a bit flavorless, but there are enough savory things on the fringes of the action (including Eugenio Derbez’ first English-language performance that shows what he can really do) to make this relatively pain-free. Also with Jeff Wahlberg, Madeleine Madden, Nicholas Coombe, Madelyn Miranda, Q’orianka Kilcher, and Adriana Barraza. Voices by Benicio Del Toro and Danny Trejo.

Exit (NR) Give major props to the main actors and stunt team on this South Korean disaster film for their superior displays of athleticism and upper-body strength. Jo Jung-suk stars as an unemployed professional rock climber whose family thinks he’s useless until a terrorist launches a poison gas attack on Seoul, and the whole family is trapped on the sixth floor of a convention hall with the gas slowly rising from the street. The comic relief is pretty wretched here, but who cares when you’ve got an extended Harold Lloyd-like sequence where the protagonist scales the face of the building, using the architectural features for handholds? Jo and Im Yoo-na (as a convention hall employee who happens to share the hero’s enthusiasm for climbing) do some fancy moves with ropes and clips. Also with Kim Ji-yeong, Ko Du-shim, Kang Ki-young, Yoo Su-bin, Jung Min-sung, and Park In-hwan.

The Farewell (PG) Writer-director Lulu Wang bases this comedy on her experiences with her own Chinese family, and it plays like Ang Lee’s early domestic dramas from Taiwan, which is high praise. Awkwafina stars as a struggling American writer who returns to China when her beloved grandmother (Zhao Shuzhen) is diagnosed as terminally ill, and her family and doctors decide to hide the diagnosis from the old woman. Wang looks like a born filmmaker here, with sharp edits and a story that moves along despite its quiet subject matter. Like Lee, she knows how to spike a potentially grim story with funny bits, including a set piece at a wedding where the alcohol flows a bit too freely. Wang doesn’t offer any easy answers about whether the family’s deception is right or wrong, either. It’s quite a story. Also with Tzi Ma, Diana Lin, Chen Han, Jim Liu, Jiang Yongbo, and Aoi Mizuhara.

Fast & Furious Presents: Hobbs & Shaw (PG-13) More fun than any of the proper Fast and the Furious movies, mostly because it leaves the racing crew behind and cherry-picks the two funniest actors from the series for their own adventure. British outlaw Deckard Shaw (Jason Statham) is contacted after his MI6-agent sister (Vanessa Kirby) is framed as a traitor. However, to bring her in safely, he’s forced to work with the American DSS agent (Dwayne Johnson) whom he despises, and they’re both forced to fight the genetically enhanced supersoldier (Idris Elba) who framed her. Some of the macho posturing between Johnson and Statham is actually funny, but Kirby damn near steals the film as the spy who cuts through all the crap and gets on with the task at hand. Having director David Leitch (Atomic Blonde) join the series is a plus as well. Also with Eiza González, Eddie Marsan, Eliana Su’a, Cliff Curtis, Roman Reigns, Lori Pelenise Tuisano, Helen Mirren, and uncredited cameos by Kevin Hart and Ryan Reynolds.

47 Meters Down: Uncaged (PG-13) I must confess that I sat through the entire movie without it making any impression on me whatsoever. This sequel has only the sharks and director Johannes Roberts in common with the 2017 thriller. Two not-so-friendly teen stepsisters (Sophie Nélisse and Corinne Foxx) go scuba diving at an underwater archeological site with their cool friends (Sistine Stallone and Brianne Tju), only to discover themselves trapped in a maze of underwater tunnels to be preyed on by blind great white sharks with super-sensitive hearing. The actors (who include the daughters of Jamie Foxx and Sylvester Stallone) don’t make anything out of their underwritten roles, and Roberts can’t manage anything inventive with the setup. Then again, why would he succeed now when he failed with it the first time? Also with Nia Long, Khylin Rambo, Davi Santos, and John Corbett.

Good Boys (R) Charming, but no Booksmart. Three 6th-grade boys (Jacob Tremblay, Keith L. Williams, and Brady Noon) cut class to go to a cool kid’s birthday party, only to become entangled with a teenage girl (Molly Gordon) and her backpack full of molly and be forced to embark on a surreal journey. The boys are game for this and first-time feature director Gene Stupnitsky films a shootout with a paintball gun as if it’s a scene from a drug thriller. The film doesn’t tell us anything about friendship that Superbad didn’t tell us, but it has enough laughs to earn it some goodwill. Also with Midori Francis, Izaac Wang, Millie Davis, Michaela Watkins, Will Forte, Retta, and Lil Rel Howery. 

John Wick: Chapter 3 — Parabellum (R) 55-year-old Keanu Reeves moves and fights like he’s 22 in this third installment of the martial-arts series. His hit man is now wounded and on the run after breaking the rules of his society of contract killers, so now his colleagues are all after him for the money and the notoriety. Director Chad Stahelski keeps up the accumulation of detail in this fictional universe full of colorful decor and sleek clothing. Also with Halle Berry, Ian McShane, Lance Reddick, Anjelica Huston, Mark Dacascos, Jason Mantzoukas, Asia Kate Dillon, Saïd Taghmaoui, Randall Duk Kim, Boban Marjanovic, Cecep Arif Rahman, Yayan Ruhian, Tobias Segal, and Laurence Fishburne. — Chase Whale

The Kitchen (R) A promising cast is wasted pretty effectively in this limp comic-book adaptation. Set in Hell’s Kitchen in 1978, the film stars Melissa McCarthy, Tiffany Haddish, and Elisabeth Moss as three women who married into the Irish mob. When their husbands are sent to prison and the male bosses fail to provide for them, they take up the business themselves and wind up taking charge. The story has potential, but first-time director Andrea Berloff has little sense of pacing or building up the impending tragedy that this story is meant to be. The twist near the end is pretty neat, but that comes too late to save this. Also with Domhnall Gleeson, Common, Margo Martindale, Bill Camp, Brian D’Arcy James, James Badge Dale, E.J. Bonilla, Jeremy Bobb, Wayne Duvall, Tina Benko, and Annabella Sciorra.

The Lion King (PG) The original Disney animated musical sucked, and this remake is somehow worse. This new film replaces the hand-drawn characters from the 1994 movie with realistically rendered CGI African creatures, and it winds up working against the film because the new characters are less expressive than their cartoon counterparts. Simba (voiced by JD McCrary and Donald Glover) is as boring as ever as he is ousted from his pack by a coup engineered by his uncle (voiced by Chiwetel Ejiofor) and has to take his rightful place as king. Director Jon Favreau continues to have no flair for a musical number, and he sticks so slavishly to the original story that you wonder why he bothered. In addition, the A-list voice cast is dull. You’re better off watching the stage version. Additional voices by James Earl Jones, Beyoncé, Seth Rogen, Billy Eichner, Alfre Woodard, John Kani, John Oliver, Shahadi Wright Joseph, Florence Kasumba, Keegan-Michael Key, Amy Sedaris, and Chance the Rapper.

Midsommar (R) A romantic comedy wrapped in a psychedelic horror flick, this superbly creepy film is about a group of American anthropology grad students who visit a remote rural Swedish village for a midsummer festival, only to discover their jolly hosts are into ritual sacrifices and spiking their guests’ food and drink with mood-altering substances. Ari Aster follows up his horror film Hereditary with something more ambitious and funnier; the one woman on the trip (Florence Pugh) discovers amid all of the bloody violence that her boyfriend (Jack Reynor) sucks and needs to be dumped. Cinematographer Pawel Pogorzelski does wonders generating scares in the wide-open spaces and near-constant sunshine of the place and production designer Henrik Svensson conjures some wondrous wooden sets where the terrors play out. The short-statured Pugh injects much nuance into a role where she’s either chemically altered or ugly crying most of the time, and turns this into a twisted parable of getting out of a bad relationship. Also with William Jackson Harper, Will Poulter, Vilhelm Blomgren, Archie Madekwe, Ellora Torchia, and Anna Åström.

Mission Mangal (NR) The story of how India launched a successful Mars probe on its very first attempt becomes a boilerplate inspirational Indian drama, where every setback is met with a heroic speech about how they won’t let this stop them. Akshay Kumar (whose comic stylings are borderline intolerable here) stars as a fictionalized mission director who is demoted to the Mars unit after a high-profile failure and takes on a team of castoff, mostly women scientists to defy the expectations of the Indian Space Research Organisation to launch the Mars Orbiter Mission successfully, ahead of schedule and under budget. An Indian NASA scientist (Dalip Tahil) is brought on as a boogeyman to tell the team that they’re doing everything wrong, and one scientist’s husband (Purab Kohli) is brought on to tell his wife that she’s destroying their family by working so much. Given how interesting the story’s events were, the movie should be more interesting. Also with Vidya Balan, Sonakshi Sinha, Taapsee Pannu, Nithya Menen, Kirti Kulhari, Sharman Joshi, H.G. Dattatreya, and Sanjay Kapoor.

Once Upon a Time … in Hollywood (R) What I like: the deliberate pace, Margaret Qualley as a hippie cultist, Leonardo DiCaprio as a fading movie star who can still bring it as an actor, the occasionally beautiful notes about aging in a youth-driven industry, the crazed slapstick of the historically inaccurate ending. What I don’t like: the deliberate pace, the loose ends, the general lack of a point, the fact that Quentin Tarantino’s fetish about women’s feet has finally gotten out of control. The latest Tarantino film is set in Hollywood in 1969, where the aforementioned film star lives next to the house where the Manson murders are supposed to take place. As always with Tarantino, there are tasty scenes and great production design, but here he rather loses himself in nostalgia and re-creations of obscure 1960s TV Westerns. Also with Brad Pitt, Margot Robbie, Kurt Russell, Dakota Fanning, Timothy Olyphant, Margaret Qualley, Damian Lewis, Emile Hirsch, Michael Madsen, Bruce Dern, Scoot McNairy, Clifton Collins Jr., Lena Dunham, Dreama Walker, Brenda Vaccaro, Mike Moh, Austin Butler, Nicholas Hammond, Lorenza Izzo, Rumer Willis, Zoë Bell, Al Pacino, and the late Luke Perry. 

The Secret Life of Pets 2 (PG) Not unendurable, but it does make you wonder why they bothered. The sequel to the 2016 hit has Max and Duke (voiced by Patton Oswalt and Eric Stonestreet) being taken to a farm in the countryside and trying to adjust to rustic life. The new movie brings in Tiffany Haddish as a terrier seeking help and Harrison Ford as a country dog who’s not having it with Max’s city-bred neuroses, but the various plotlines (many of them involving the dogs’ city friends having their own adventures) aren’t written with enough distinction to make the movie stick. Even Kevin Hart’s bunny rabbit and his megalomaniac delusions have been effectively neutered here. Additional voices by Jenny Slate, Hannibal Buress, Dana Carvey, Ellie Kemper, Nick Kroll, Bobby Moynihan, and Lake Bell.

Scary Stories to Tell in the Dark (PG-13) This horror film takes too long to get going, but once it does, look out. Based on Alvin Schwartz’ series, this is about a group of teenagers who find a storybook in a haunted house in their small town and find themselves the subject of gory stories that come true. Zoe Colletti does some fairly heroic work in the main role, a girl with abandonment issues who is now watching her friends vanish from sight. Still, the main attraction here are the innovative monsters, owing more than a bit to Stephen Gammell’s illustrations for the books. When a racist jock suddenly starts vomiting straw in the middle of a cornfield, that’s something horror movies haven’t given us before. Director André Øvredal (Trollhunter) does a fair job of knitting these disparate short stories into a cohesive whole. Just try forgetting the Jingle Jangle Man (“Me tie dough ty walker!”). Also with Michael Garza, Gabriel Rush, Austin Zajur, Austin Abrams, Natalie Ganzhorn, Lorraine Toussaint, Dean Norris, and Gil Bellows.

Spider-Man: Far From Home (PG-13) Underwhelming, obnoxious, goofy, derivative, and bad-looking. After spending 30 seconds on the aftermath of Avengers: Endgame, this sequel quickly devolves into repetitive jokes as the resurrected web-slinger (Tom Holland) tries to go on a European vacation with his classmates and winds up dealing with a new superbeing (Jake Gyllenhaal) from another version of Earth. Director Jon Watts tries to keep everything grounded and self-contained, but it doesn’t work with so many superheroes floating in the wind. I wanted to love this film, but it left me feeling uneasy. Also with Zendaya, Jon Favreau, Marisa Tomei, Jacob Batalon, Angourie Rice, Tony Revolori, Martin Starr, Numan Acar, J.B. Smoove, Cobie Smulders, Samuel L. Jackson, and an uncredited J.K. Simmons. — Chase Whale

Super 30 (NR) This inspirational teacher film from India follows the template pretty closely, though it’s based on a true story. Brilliant mathematician Anand Kumar (Hrithik Roshan) wins nationwide prizes and admission to Cambridge in the 1990s because of his skills, but can’t find the money to go, then briefly sells out to become a math teacher to rich kids before seeing the light and founding his own free school for poor kids in his hometown of Patna. The musical numbers here are the only big departure from the sort of stuff Hollywood used to make, and the songs aren’t strong enough to add much. The main thing to take away from this is that it’s not only in America that educators cut deals with rich elites. Also with Mrunal Thakur, Nandish Singh, Pankaj Tripathi, Virendra Saxena, and Johnny Lever. 

Toy Story 4 (PG) Pixar’s flagship series continues to be good and gets much weirder. The toys are ensconced with a new owner (voiced by Madeleine McGraw), and a now largely-ignored Woody (voiced by Tom Hanks) decides to protect a toy created by the child named Forky (voiced by Tony Hale), who thinks his destiny is as a piece of trash. It all leads to a surreal adventure on a road trip, during which Woody encounters a doll with a broken talking mechanism (voiced by Christina Hendricks), a Canadian motorcycle daredevil action figure (voiced by Keanu Reeves), and a stuffed duck and bunny (voiced by Keegan-Michael Key and Jordan Peele) with delusions of grandeur, all of them funny and creepy in distinctive ways. It ends with Bo Peep (voiced by Annie Potts) returning to convince Woody that he deserves a bit of time to himself, an ending that is wrenchingly perfect. Additional voices by Tim Allen, Joan Cusack, Bonnie Hunt, Kristen Schaal, Ally Maki, Wallace Shawn, Don Rickles, Estelle Harris, Jeff Garlin, Bill Hader, June Squibb, Carl Weathers, John Ratzenberger, and Patricia Arquette.

Where’d You Go, Bernadette (PG-13) Refreshing as it is to have a movie where the woman is an artist who has to obey the whims of her creative genius, director Richard Linklater loses a lot of the comic zip in adapting Maria Semple’s comic novel. Cate Blanchett stars as a faded starchitect who gave up her career to raise her lone, physically fragile daughter (Emma Nelson), and is now suffering from paranoid depression as a result of that decision. The main character’s angry Type A housewife neighbor (Kristen Wiig) suffers particularly from blanding out in the film version; why cast Wiig if she’s not allowed to contribute to the craziness? The film needed some frenetic energy, particularly in the last third during a chase through Antarctica, and Linklater has never been known for that quality. Intelligent as the film is, it’s also dull. Also with Billy Crudup, Judy Greer, Zoe Chao, James Urbaniak, Kate Burton, Troian Bellisario, David Paymer, Megan Mullally, Steve Zahn, and Laurence Fishburne.

Yesterday (PG-13) A lovely tribute to the Beatles, this comedy is set in the present day, when a struggling British musician (Himesh Patel) is hit by a bus and wakes up in a world that seems like his own, but all trace of the Beatles and their work has disappeared from everyone’s memory, so he records his own versions of the Fab Four’s songs and passes them off as his work. The satire of the music industry could be sharper, and the script by Richard Curtis (Love Actually) misses a huge opportunity to depict how we might view the songs differently if we thought an Asian guy had written them. However, Patel (a newcomer from British TV) brings a ton of musical chops to his part and Lily James (as his love interest) is at her most charming. Director Danny Boyle makes Liverpool look like an enchanted place and brings a shape to Curtis’ script that Curtis himself couldn’t do. Also with Kate McKinnon, Ed Sheeran, Joel Fry, Harry Michell, Sophia Di Martino, Sanjeev Bhaskar, Meera Syal, Lamorne Morris, and an uncredited Robert Carlyle.

DALLAS EXCLUSIVES 

Awake (NR) Jonathan Rhys Meyers stars in this thriller as an amnesiac who wakes in a hospital and finds that he’s wanted for a string of murders. Also with Francesca Eastwood, William Forsythe, James Austin Kerr, Kaye Brownlee-France, and Malik Yoba. 

Driven (R) This drama stars Jason Sudeikis as an ex-convict businessman who is pressured by the FBI to inform on his new neighbor, auto mogul John DeLorean (Lee Pace). Also with Judy Greer, Erin Moriarty, Corey Stoll, and Justin Bartha. 

Gwen (NR) This horror film set in 19th-century Wales is about a girl (Eleanor Worthington-Cox) trying to hold her family together amid a paranoid mining community. Also with Maxine Peake, Mark Lewis Jones, Richard Harrington, Kobna Holdbrook-Smith, Gwion Glyn, and Richard Elfyn.

Light of My Life (R) Casey Affleck writes, directs, and stars in this postapocalyptic thriller as a man trying to keep himself and his daughter (Anna Pniowsky) alive after a global pandemic. Also with Elisabeth Moss, Tom Bower, Timothy Webber, and Hrothgar Mathews. 

Line Walker 2 (NR) Louis Koo and Nick Cheung reprise their roles as Taiwanese undercover detectives who infiltrate hackers after someone launches a cyber-attack on the nation. Also with Francis Ng, Johnny Melville, and Gerard Muller.

Luce (R) Naomi Watts and Tim Roth star in this drama as a couple whose teenage adopted son and former African child soldier (Kelvin Harrison Jr.) writes a disturbing school essay about his experiences. Also with Octavia Spencer, Norbert Leo Butz, Andrea Bang, and Omar Brunson. 

One Child Nation (R) Wang Nanfu and Zhang Lynn’s documentary examines the damage wrought by China’s decades-long policy of only allowing one child per married couple. 

1 COMMENT

LEAVE A REPLY