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Uplifted Spirit
In the annals of Fort Worth contemporary art, Vernon Fisher probably looms the largest. And for good reason. The veteran multimedia artist and painter...
In Living Color!
The new exhibit at the Amon Carter Museum of American Art contains all of its color in a black box. The entrance and exit...
Dark Dallas
This is not a book about the assassination of President John F. Kennedy. In fact that event and its aftermath are detailed only in...
Gallery
Chefs know that you can make marvelous (if ephemeral) sculptures out of spun sugar. Janet Morrow has taken that idea and created Sweetie Pie,...
Gallery
Ken Dixon’s show at William Campbell, 3 Short Stories & 12 Options, takes its inspiration from Texas’ Hill Country, but the artist renders his...
Buzzkill: Up, Up, and Away
There have been as many takes on the superhero genre as there are members of the X-Men. The artform has been deconstructed, reconstructed, and...
Gallery
The literature accompanying MacGuffin, a new multimedia exhibit by the Fort Worth/Dallas collective HOMECOMING! Committee, is intentionally vague: lots of talk about desire, sight,...
“Death Tax” at Amphibian Stage Productions
“Nobody does something for nothing,” declares Maxine (Georgia Clinton), a bitter, delusional old woman nearing the end of her life in a respectable if...
Philip Glass’ Dracula: Bloody Good
The classical music scene in Fort Worth is all too often one of weak attendance figures and stale, centuries-old programming. Last Tuesday’s performance of...
Not so Neat
Actor Ebony Marshall-Oliver was born and raised in a small south Louisiana town called Donaldsonville, although her family had moved to Atlanta by the...
