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Women’s Lib-ido
With their fervent and cunning production of Steve Martin’s adaptation The Underpants, Theatre Arlington and director B.J. Cleveland have done something unexpected — reminded...
Jay Wilkinson Versus the World
Jay Wilkinson’s first works of art were inspired by comics but not in a Roy Lichtenstein kind of way.
“I was dyslexic,” Wilkinson said, “so...
Devon Nowlin
One part of Devon Nowlin’s artist statement really stuck with me. In describing her collage-like figurative paintings up now through October 6 at Artspace...
Buzzkill: Down to Earth
Members of Alcoholics Anonymous tend to have their share of secrets, but few have one like the strapping young man who goes by the...
Avedon’s Texas?
There’s nothing uniquely Texan about Avedon in Texas, especially if we exclude the two images of gentlemen in cowboy hats, including “Cotton Thompson,” a...
Gallery
The Gallery Night exhibits continue at FWCAC through the end of the month. They include Susan Harrington's works on paper, F. David Gibson's abstract...
Art and Appetite: Ravenous Beasts
What we farm, hunt, buy, catch, kill, package, heat up, cook, serve, and enjoy privately or among others is merely a jumping-off point for...
The Joint Is Jumpin’
In 1983, veteran Fort Worth journalist and movie historian Michael H. Price — then a film critic for the Fort Worth Star-Telegram — received...
Pantagleize’s Dead Awaken
It’s hard to overestimate the influence of 19th-century Norwegian playwright Henrik Ibsen on theater and, in particular, the modern English-speaking stage. With plays like...
Death Becomes Them
In his six years with Texas Ballet Theater, artistic director Ben Stevenson has led the company back from the abyss.
Before he arrived, TBT was...
