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Thursday, April 25, 2024

Local Scene Dying? Not so Fast

Industry Contractions?

Darstar Redux

Heartfelt

Eric Osbourne’s “I’m the Bear”

Hearsay

Hearsay

Katsuk Returns, T-Bone Weds

On Monday nights back in the day at The Wreck Room, Daniel Katsuk and his A-Hummin' Acoustical Acupuncture probably drew bigger crowds on a...

Mack the Knife

Last week, we were the first to report that the Dallas Observer and music editor Sam Machkovech had parted ways. Turns out, the DO...

The Tribe Has Spoken

After recording off and on since spring, Spoonfed Tribe has an e.p. all pressed and ready to bust out at upcoming shows. The three...

PPT on the Dime

Relationships are hard, especially if you're an almost-famous rapper from North Texas. To the guys in PPT - PicnicTyme, Pikhasso, and Tahiti - frustration...

Double Happiness, Double Fun

To celebrate its return to good health from a recent fire, Fred's Texas Café is hosting two appropriately Fred-ish bands on the patio tomorrow...

Wonderful — Façades and Metal

Don't know if you got a chance to catch Wonderful Façade and Associate Editor Anthony Mariani on CBS-11's morning show late last month, but...

Russell, Russ, and Fletcher

All this angry music is making me ... angry. "You broke my heart, you lousy whore of Babylon!," "You stole my money, you mindless...

Firehouse and the Station

Before I even write the words "experimental music," allow me to defuse any knee-jerk objections. No, not all experimental music is good. The kind...

Big Machines

U2-ish rockers Titan Moon have been quiet 'round these parts lately, chiefly because primary songwriters Tyler Casey and Nate Schneidewent got better things to...

FWWMA Wrap-Up

Our ninth annual Music Awards showcase last week in Sundance Square couldn't have gone better. And I don't think I'm being hyperbolic. All 24 bands...