Burlesque (PG-13) Christina Aguilera makes her film debut as a dancer who comes to Los Angeles and finds her way into a burlesque club run by a former dancer (Cher). Also with Eric Dane, Stanley Tucci, Cam Gigandet, Julianne Hough, Alan Cumming, Peter Gallagher, Dianna Agron, and Kristen Bell. (Opens Wednesday)

Client 9: The Rise and Fall of Eliot Spitzer (R) Alex Gibney (Enron: The Smartest Guys in the Room) details the sex scandal that derailed the former New York governor. (Opens Friday in Dallas)

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Faster (R) Dwayne Johnson stars in this thriller as an ex-con setting out to avenge his brother’s death. Also with Billy Bob Thornton, Maggie Grace, Carla Gugino, Mike Epps, Michael Irby, Xander Berkeley, and Tom Berenger. (Opens Wednesday)

Welcome to the Rileys (R) James Gandolfini stars in this drama as a bereaved father who takes in an underage prostitute (Kristen Stewart) while on a business trip. Also with Melissa Leo, Joe Chrest, Eisa Davis, and Ally Sheedy. (Opens Friday in Dallas)

The Wildest Dream (PG) Anthony Geffen’s documentary tells the stories of the first mountain climber ever to attempt the summit of Mt. Everest –– and the climber who found his remains 75 years later. (Opens Friday in Dallas)


Due Date (R) You’ve seen all this before. Robert Downey Jr. plays a tightly wound architect who hitches a ride with an aspiring actor (Zach Galifianakis) to get to L.A. in a hurry. The chemistry between the vitriolic Downey and the chaotic Galifianakis can’t be faulted, and the latter mines real emotions out of an often ridiculous role. Unfortunately, too many laughs come from improvised throwaway lines rather than the situations, and there are too many in-jokes. After a while, you can only take so much inanity. Also with Michelle Monaghan, Juliette Lewis, Danny McBride, RZA, and Jamie Foxx. — Steve Steward

FAIR-GAME-550x364Fair Game (PG-13) Doug Liman’s second film this year (after Green Zone) about the war on terror is this dramatization of the Valerie Plame incident, starring Naomi Watts as the CIA undercover agent who’s exposed in 2003 when her husband (Sean Penn) questions the Bush Administration’s evidence for going to war in Iraq. The movie isn’t a spy thriller so much as it is a portrait of a marriage under strain, as Plame tries to silently ride out the controversy while her husband urges her to speak up in her own defense. This intelligent, well-acted film rehashes some enraging facts and builds to a rousing conclusion. Also with Noah Emmerich, Michael Kelly, Ty Burrell, Brooke Smith, Bruce McGill, David Andrews, and Sam Shepard.

For Colored Girls (PG-13) Tyler Perry adapts Ntozake Shange’s trailblazing play for colored girls who have considered suicide when the rainbow is enuf, and it’s an awkward fit. He weaves a unifying story around the play’s series of dramatic monologues, and it works amazingly well at first, with Tessa Thompson, Phylicia Rashad, and Loretta Devine doing justice to the music of Shange’s words. Unfortunately, this movie then turns into a typical Perry film, with indifferent performances by much of this high-powered cast and the director’s limited, moralizing view of women clashing with Shange’s inclusive approach to her characters’ stories. Perry’s interest in another artist’s material is encouraging, and he deserves credit for bringing this play to the screen. It’s too bad that he damaged it so much. Also with Janet Jackson, Thandie Newton, Kerry Washington, Kimberly Elise, Anika Noni Rose, Michael Ealy, Omari Hardwick, Hill Harper, Richard Lawson, Macy Gray, and Whoopi Goldberg.

Harry Potter and the Deathly Hallows: Part 1 (PG-13) A movie that’s not meant to stand on its own and doesn’t. After Voldemort (Ralph Fiennes) overthrows the government, Harry and his friends (Daniel Radcliffe, Emma Watson, Rupert Grint) become fugitives, leaving school to destroy the cursed objects that contain Voldemort’s soul. Because this is only the first half of the seventh and last installment, this movie is all buildup and no payoff, with pacing issues we haven’t seen since the first two Harry Potter movies. There’s no emotional traction, and even the temporary breakup of Ron and Hermione doesn’t achieve much, though it leads to a nice bit with Harry cheering her up by dancing with her. This might well have worked better as the first half of a five-hour gigantic finale. Also with Helena Bonham Carter, Jason Isaacs, Alan Rickman, Timothy Spall, Guy Henry, Andy Linden, Brendan Gleeson, Clémence Poésy, David Thewlis, Evanna Lynch, John Hurt, Rhys Ifans, and Bill Nighy.

Life As We Know It (PG-13) Pure crap. Josh Duhamel and Katherine Heigl portray two single professionals who don’t like each other but are forced to take care of a baby girl after her parents — friends of theirs — are killed. This is too long, too busy, and too predictable to even qualify as flawed fun. Director Greg Berlanti doesn’t know how to shift between moods, and the two protagonists demonstrate a lack of feeding and diapering skills that borders on criminal neglect. Somehow this all takes place in an improbably beautiful house. It doesn’t help. Also with Josh Lucas, Sarah Burns, Chanta Rivers, Melissa McCarthy, DeRay Davis, Will Sasso, Majandra Delfino, Hayes MacArthur, and Christina Hendricks. — Jimmy Fowler

Morning Glory (PG-13) A great deal of talent comes to very little in this overacted comedy about a morning TV news/talk show’s new executive producer (Rachel McAdams) who engages in a professional tug-of-war with her newly hired co-anchor (Harrison Ford), a legendary newsman with a giant stick up his ass. The focus gives short shrift to both Diane Keaton (as a bickering co-anchor) and to a romantic subplot involving an evening news producer (Patrick Wilson). Director Roger Michell looks uncomfortable with the demands of light entertainment, McAdams makes her character’s upbeat professionalism look borderline crazed, and the movie isn’t funny. Like its heroine, this movie tries way too hard to please. Also with Jeff Goldblum, John Pankow, Matt Malloy, and Ty Burrell.

Three_DaysThe Next Three Days (R) Paul Haggis (Crash) stops pondering social issues to deliver this uneven prison-break film about a community college lecturer (Russell Crowe) who believes that his wife (Elizabeth Banks) was wrongly convicted of murder and vows to free her from prison. Rather than focus on the actual break, the movie focuses on the two slipping out of the city before a police dragnet closes in. Haggis cagily plays with our expectations and doesn’t lay out the escape plan all at once, and the last 20 minutes or so is breathless stuff. Yet the script still has flaws, and Crowe is all wrong as a soft guy who’s unfamiliar with guns. Watch for a sharp cameo by Liam Neeson as a prison-break expert. Also with Olivia Wilde, Ty Simpkins, RZA, Jonathan Tucker, Michael Buie, Jason Beghe, Aisha Hinds, Daniel Stern, Kevin Corrigan, and Brian Dennehy.

Paranormal Activity 2 (R) The sequel has a different director and a much larger budget, but it sticks to the aesthetic of the original as it tells the story of a suburban couple (Brian Boland and Sprague Grayden) with a toddler son and a teenage daughter (Molly Ephraim) who set up a network of cameras in their house to document a series of sinister supernatural incidents. There’s an insultingly stereotyped housekeeper (Vivis), and the film inevitably doesn’t have the novelty value of the original. The approach to horror, though, is still refreshing. You’ll frequently find yourself staring at the background of the frame, looking for things moving by themselves. Also with Micah Sloat and Katie Featherston.

Red (PG-13) This light and airy confection stars Bruce Willis as a retired CIA black-ops guy who’s forced to band together with some of his fellow retirees — and a cubicle drone who gets caught up in the action (Mary-Louise Parker) — when they suddenly become the agency’s targets. Robert Schwentke needed to direct the often physically impossible hijinks in a more cartoonlike style, but he still gives the movie the proper light tone and finds the comedy in these happy warriors put out to pasture. The movie’s full of incidental pleasures, too (like the badassedness of Helen Mirren as she sprays a security detail with submachine gun fire) that make it fun to have around. Also with Morgan Freeman, John Malkovich, Karl Urban, Brian Cox, Rebecca Pidgeon, Julian McMahon, Richard Dreyfuss, and Ernest Borgnine.

Saw 3D (R) Supposedly this is the last installment, though you can’t tell at all. Other than the 3-D effects (which are bad, to no one’s surprise), there’s no difference between this film and any of the others. The acting is still horrible. The photography is still so murky that you can barely see anything. Jigsaw (Tobin Bell) is still a tiresome bore. His traps are still bloody, and they long ago got so baroque as to stop making sense. Even the reintroduction of Cary Elwes (who starred in the very first Saw film nine years ago) doesn’t accomplish anything. This series needs to die. Also with Costas Mandylor, Sean Patrick Flanery, Betsy Russell, Gina Holden, and Ned Bellamy.

Secretariat (PG) Diane Lane stars in this Disneyfied sports flick as Penny Chenery Tweedy, the Denver housewife who saved her father’s horse-breeding farm from financial ruin when her horse won the 1973 Triple Crown. Randall Wallace directs this film in the studio’s foursquare house style. John Malkovich steals a few laughs as Secretariat’s flamboyant French-Canadian trainer, but the movie would be instantly forgettable if it weren’t for Penny’s speeches about how a woman can do anything. These bursts of female-empowerment rhetoric are unconvincing and hectoring, and it doesn’t help that Lane is off her game here. Spend your money betting on the horses instead of this movie. Also with Dylan Walsh, Scott Glenn, James Cromwell, Dylan Baker, Kevin Connolly, Margo Martindale, Amanda Michalka, Nelsan Ellis, Otto Thorwarth, and Fred Dalton Thompson.

Skyline (PG-13) While Jarrod (Eric Balfour) and Elaine (Scottie Thompson) visit Jarrod’s best friend Terry (Donald Faison) in L.A., bright blue lights descend from the sky, heralding an invasion of brain-sucking, human-abducting aliens. Maybe since directors Colin and Greg Strause’s last movie was the franchise-killing Aliens vs. Predator: Requiem, expectations were low. But this is a fun little B-movie. The directors do a lot with the one-apartment-building location, keeping things tense and moving along, and they get every dollar’s worth of impressive special effects out of a miniscule $10 million budget. The intimate POV of an alien invasion has been done better in Signs and War of the Worlds, and plot holes abound, but for folks wanting an alien fix, this isn’t a bad way to go. Also with David Zayas. –– C.W.

Unstoppable (PG-13) After a cargo train is accidentally let loose down the tracks with no one at the controls, veteran engineer Frank Barnes (Denzel Washington) and rookie conductor Will Colson (Chris Pine) set out to stop it. Based incredibly loosely on the “Crazy Eights” incident in Ohio in 2001, the story has been Hollywood-ed up with greedy corporate execs and melodramatic subplots, and it feels like Washington and Pine play second fiddle to the runaway train until the last third of the movie. Still, they have enough chemistry to be entertaining, and Tony Scott’s frenetic directing keeps the movie tense and fast paced. It’s pretty formulaic Hollywood stuff but still fun thanks to the energetic directing and decent lead performances. It’s also a must-see for train watchers. Also with Rosario Dawson. –– C.W.