Miguel Harth-Bedoya’s Next Opus
After returning to the States from an overseas conducting engagement in mid-March, Miguel Harth-Bedoya remembered being shocked that U.S. airports were not testing offboarding...
Home Theater
What do you get when you take the “live” out of live theater? In normal circumstances, you might say you lose the danger of...
Both the Single Ladies
I think Jubilee Theatre’s Single Black Female would have worked better as material for an African-American woman’s standup comedy set than as a stage...
Memories Are Made of This
Circle Theatre closes its season with a world premiere, and it’s always worth noting when one of our local theater troupes is privileged enough...
Timeless Tales
This year’s Fort Worth Opera Festival concluded with a Mexican-themed work, fulfilling a pledge by former FWO general director Darren Woods to include Spanish-language...
The Baker’s Opera
Companionship received its world premiere from Fort Worth Opera last week, and it is easily the weirdest thing I’ve ever seen staged by the...
Fort Worth Opera’s Porgy and Bess Is a Multisensory Treat
There’s merit to the idea that music is a universal language. Cultural references and dialogue weigh heavily on a work’s immediacy and ease of...
The Two Tudors
Having taken in the literary and film versions of A Man for All Seasons (which adopts Sir Thomas More’s viewpoint) and The Other Boleyn...
Light Obama-ology
As Oscar season heats up, and with the deafening buzz around Lady Gaga’s transcendent performance in A Star Is Born, I submit for your...
I’m Dying Here
The 15th-century morality play Everyman lay dormant for centuries after its writing, a literary curiosity of value to a few scholars of early English-language...
