Seeing Red
What’s not black or white but splattering red all over Maverick territory? At Theatre Arlington, John Lang’s Tony-Award winning Red has been distilled for...
Shtick ’Em Up
There's a lot going on right now that we need to pay attention to, and none of it is fun: a shitty economy, a...
Pantagleize’s Home for Sad Songs
When Richard Blake joined Pantagleize Theatre as managing director last fall, he told co-founder and artistic director Violet O’Valle that he intended to find...
Agile Acting
Famous playwrights don't offer succinct explanations of their plays very often. Of course, Steve Martin was famous as an absurdist comic star long before...
Prism Theatrics Arrives
Matthew Blake Floyd’s professional journey has come full circle. After learning the ropes of musical theater as a student at Casa Mañana and eventually...
Ballet Frontier’s La Sylphide Shines
Ballet Frontier came of age last weekend in Scott Theater with a striking new production of August Bournonville’s La Sylphide. In just a few...
New Ways
Violist Mark Landson has spent the better part of his 25-year career pondering the question that’s commonly on the minds of classical musicians: How...
No Moz-aleum
If Fort Worth Symphony Orchestra conductor Miguel Harth-Bedoya had led an all-Mozart Festival six years ago when he first came to town, it would...
Burning Brightly
I’ve been a theater critic for about a dozen years now, and I’ve never heard anyone say, “I can’t wait to see that show!...
Falling for The Trap
Finding comedy in anxiety is laughably attempted by many, clinched by only a few. In The Trap, British playwright Kieran Lynn’s affinity for dark absurdism goes one...
