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The New Tide
Though perhaps lost on the good people at the Amon Carter Museum of American Art, here in deep red Fort Worth, one of their...
Art-Friendly Social Distancing
Fort Worth arts groups are accustomed to reinvention. Before COVID-19 derailed Spring Gallery Night and assorted show openings, venerable museums like the Amon Carter...
Disinfo Cometh
Forget the Information Age. We are now decidedly living in the Disinformation Age. That’s not a partisan argument — it’s a fact, one of...
Keyed In
Sometimes the reputation of greatness can be stifling. That's the conclusion you arrive at if you've seen other, frequently staid August Wilson productions and...
Carol Ivey’s Illuminations
Fort Worth painter Carol Ivey knows exactly when she fell in love with natural light. In the early 1980s, she was awarded an arts...
Larger than Life
Willie Nelson has been my hero since I was a teenager.
Throughout the 1970s, I went to about two dozen concerts, bought countless albums, and...
The Little Trio
The rehearsal abruptly paused.
“Does it feel like we’re dragging?” soprano Allison Stanford asked.
“Yes!” pianist Cheryl Lemmons and clarinettist Leslie “Pinkie” Simmons collectively replied.
The trio,...
Second-Gen Theater
Despite refocusing the 2020-2021 season on virtual or outdoor programming and navigating ongoing economic uncertainty in the years since, Stage West is stronger than...
Reds, Black, and Blue
George Gershwin got an unusual run through at the Fort Worth Symphony Concerts in the Garden last week.
Young German Maestro Alexander Mickelthwate, conductor...
Shaping Our Heritage
Landscape architect Lawrence Halprin (1916-2009) had been established in private practice for 20 years in San Francisco when he was invited to Fort Worth...