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Big Tops
Operas by Richard Strauss aren’t staged that often, not because they’re unpopular but because they’re expensive: enormous casts, huge orchestras, lavish scenery and costumes,...
Gallery
The name of the game is “retro” at William Campbell Contemporary Art. Randall Reid’s new show of collages takes its inspiration from commercial and...
Review: “The Agony and the Ecstasy of Steve Jobs”
There’s no doubt that The Agony and the Ecstasy of Steve Jobs, playwright Mike Daisey’s theatrical monologue currently staged by Amphibian Productions through May...
TBT Visits Dallas
Texas Ballet Theater’s repertory programs seldom offer all fresh material, but last month’s season-ending show in Fort Worth came close. Of the five ballets...
Glory Denied, Daughter Roll
For this year’s requisite dose of comedy, Fort Worth Opera went with Donizetti’s The Daughter of the Regiment, a mid-19th-century bel canto piece about...
Museum Swap: The Perot is Pretty Groovy
Never mind all of the noise you’ve (probably) been hearing about the Perot Museum of Nature and Science in Dallas. The building is not...
Vocal Majority
There was no pressure for Sean Panikkar Saturday night –– after all, he was just singing the same role that Placido Domingo and Stephen...
Gallery
Danville Chadbourne will be all over Artspace 111. As part of the Bryan native’s new solo show, his large ceramic sculptures will be on...
Museum Swap: Bernini
There’s this really ridiculous, rarely fun game I play called Museum Swap, in which I try to picture an exhibit at one of our...
Gallery
The name of Tom Hollenback’s new solo show at William Campbell Contemporary Art is Mutabilis, Latin for “mutable,” a quality illustrated by the artist’s...
