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Daymond Callahan
Apparently more determined to explore than to hew to genre, Daymond Callahan’s Music Society is focused on inspired, professional orchestration.
The dynamic, polished pianist...
Keite Young
Got to thinking about Michael (Jackson, not Jordan) the other day after learning that he’s back in the States for the first time since...
Stella! (Rose)
Now that the annual Fort Worth Stock Show and Rodeo is winding down (thank God), we can get back to the business of rocking...
Mr. Jones
Two years ago, an obscure rapper from Houston made his national debut with a decent album of boasting, toasting, and balling that probably would...
J Versus K
Arlington indie rockers J Versus K played their first show last May.
In August, they opened twice, in Houston and Austin, for Bloc Party,...
Around the Local Horn
A couple of weeks ago, the Wreck Room's Brian Forella bought 6th Street Live, a West Seventh Street-area juke joint that's been open under...
Song of the City
The Fort Worth of bluesman James Hinkle’s music is not pretty, but is it supposed to be?
For the blues to be the blues,...
Combichrist
Hell-ektro group Combichrist has long been a favorite of the fetish community.
Led by Norwegian-born Andy LaPlegua, Combichrist blends dark techno, agro beats, and...
Incubus
A couple of years ago, after more than a decade of mainstream success, radio-prog giants Incubus found themselves on the verge of industry-caused destruction.
...
Willard Grant Conspiracy
An ambitious, musically sophisticated album that should be played loud to catch all of the nuances, Willard Grant Conspiracy’s Let It Roll could be...
