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Monday, January 19, 2026

The Music Bed Wakes Up

Exit 380 to Bugs’ Benefit

Long, Race

Music

Music

Old Man Luedecke, Tim O’Brien at Live Oak On Friday

What’s the difference between a banjo and an anchor? You tie a rope around an anchor before you throw it overboard. What’s the difference between...

The Panthys ’08

We got a lot of votes this year. Almost 20,000, to be exact. Both online and in print. And thanks to our ballot-counters -...

Phantom Caste Surges Forward

The moody electronic rock quintet Phantom Caste released its debut EP, Hands to the Light, last summer to considerable praise from critics and fans....

Space Jams

“Welcome! Sorry it smells a little burger-y in here.” That was Peter Gilliland, the dreadlocked, bearded half of electro duo Starbass Laboratories, apologizing for the...

Clumsy&Shy Music Blog Does SXSW

Former Fort Worth Weekly intern and freelance writer Marjorie Owens has been running an ultra-hip, ultra-sleek blog, Clumsy&Shy, specializing in avant-garde pop/rock and associated...

La Gloire for Frenchie’s Praise

You probably haven’t seen Frenchie’s Blues Destroyers from the vantage point of a lat pulldown machine, but chances are good you’ve caught the duo...

Confusatron

Funk? Check. Jazz? Check. The kitchen sink? Check. Confusatron does a lot of everything and amazingly well. In most tunes, the eight-piece ferociously bites downbeats,...

Holy Moly, Ronnie Heart

One of the first things the casual listener may notice while listening to Grasshopper Cowpunk, Holy Moly’s fourth album in about...

Good Sound, Needs Work

If you’ve ever wondered how your favorite music gets from an artist’s brain into your headphones, Kevin Aldridge and Oil Boom’s Ryan Taylor have...

Blowout

Word’s been out for a while that Daniel Katsuk, of A-Hummin’ Acoustical Acupuncture and formerly Spoonfed Tribe, is leaving town to do the music...