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In Living Color!
The new exhibit at the Amon Carter Museum of American Art contains all of its color in a black box. The entrance and exit...
Dark Dallas
This is not a book about the assassination of President John F. Kennedy. In fact that event and its aftermath are detailed only in...
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Chefs know that you can make marvelous (if ephemeral) sculptures out of spun sugar. Janet Morrow has taken that idea and created Sweetie Pie,...
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Ken Dixon’s show at William Campbell, 3 Short Stories & 12 Options, takes its inspiration from Texas’ Hill Country, but the artist renders his...
Buzzkill: Up, Up, and Away
There have been as many takes on the superhero genre as there are members of the X-Men. The artform has been deconstructed, reconstructed, and...
Gallery
The literature accompanying MacGuffin, a new multimedia exhibit by the Fort Worth/Dallas collective HOMECOMING! Committee, is intentionally vague: lots of talk about desire, sight,...
“Death Tax” at Amphibian Stage Productions
“Nobody does something for nothing,” declares Maxine (Georgia Clinton), a bitter, delusional old woman nearing the end of her life in a respectable if...
Philip Glass’ Dracula: Bloody Good
The classical music scene in Fort Worth is all too often one of weak attendance figures and stale, centuries-old programming. Last Tuesday’s performance of...
Not so Neat
Actor Ebony Marshall-Oliver was born and raised in a small south Louisiana town called Donaldsonville, although her family had moved to Atlanta by the...
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Deserted landscapes that bear the imprint of humanity but aren’t exactly urban provide Sarah Williams with her inspiration. The painter shares the exhibit at...
