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Capturing Katrina
David Redmon might be the most earnest documentary filmmaker around. His subject matter is always edgy, he finances all of his projects himself (to...
Rooting for Roots
What an odd book — fascinating at times yet frustrating in its lack of organization and purpose.
The title, True to the Roots: Americana...
Women’s Lib-ido
With their fervent and cunning production of Steve Martin’s adaptation The Underpants, Theatre Arlington and director B.J. Cleveland have done something unexpected — reminded...
A Dream Not Deferred
Ed Smith, the man who has replaced the late Rudy Eastman as artistic director of Jubilee Theatre, has taught graduate level theater courses in...
Show Offs II
They just don’t stop making art in Texas, which is why you can’t go wrong with a show devoted to up-and-coming new talent.
That’s...
To the Stars
In his major American debut more than 40 years ago, tenor Plácido Domingo sang Edgardo in Fort Worth Opera’s production of Lucia di Lammermoor....
Dash It, ‘Jeeves’!
In 1957, the prolific author and playwright P.G. Wodehouse said, “I go in for what is known in the trade as ‘light writing,’ and...
Horrors in Black and White
Up until recently, Ridgmar Movie Tavern showed pay-per-view WWE wrestling matches about once a week.
A (mostly male) crowd of hardcore fans packed the...
Slavery’s Many Faces
If you skipped the Rose Marine Theatre last Friday night, you missed one of the more, um, unique moments to occur in Fort Worth...
Playthings No More
Two major Nutcrackers come our way each December, in addition to the countless studio versions that dot the landscape.
Beginning earlier this month, Texas...
