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Thursday, March 12, 2026
Jacqueline McGilvray’s “I was the darkest so they called me Blackie Jackie”

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High Voltage

Mary McCleary’s “Take a Boat to the Land of Dreams”

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Alison Saar’s “White Guise”

Alison Saar has been producing art for 35 years about race, gender, and spirituality, and she recently received a lifetime achievement award from Southern...

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Heavyweight names will be on display at UNT Art Gallery’s show to start the spring semester. The fifth annual Collections, Cultures, and Collaborations features...

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There’s nothing like a new art venue to liven up the local scene. Brand 10 Artspace is located in the Cultural District, and its...

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Drawing on the influence of Goya, Redon, and the mythology of her native Chile, Sandra Vásquez de la Horra makes nightmarish, phantasmagorical drawings on...

Carol Ivey’s “Red Snapper”

Water Works is the name of the show at Artspace 111, and water is the theme, as Madeline Irvine, Carol Ivey, and Deborah Mersky...

Abstracted Reflections

Julie Lazarus' show at William Campbell Contemporary is unusual... in that it not only includes the artist's abstract paintings (which are inspired by reflections...
James P. Bell’s “Biloxi Blues”

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Movies have always been besotted with the romance of trains, and photographer James P. Bell pays tribute to this tradition by taking pictures of...

Kelly Ingleright-Telgenhoff’s “Zack’s Chair”

This is your last weekend to catch Gallery 414’s Spring Gallery Night show. Kelly Ingleright-Telgenhoff’s representational and abstract paintings draw you in with their...

Arlene Shelton’s “untitled”

It’s not often we get to celebrate the opening of a new venue in this space, so let’s hear it for the Aledo Art...

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The letters in OP Collective’s name stand for “Out of Pocket.” The group is four photographers who graduated from UNT and have regular jobs...