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Monday, March 23, 2026

Let the Beat Hit ’Em

Lively Up the Scene

Maren Morris

Maren Morris Scorches Trumpers

The Trauma Ray Carnival

Women Voices

Music

Music

Dirty Diversion

The label “garage band” may have fallen out of fashion years ago, but that doesn’t mean rockers no longer practice the art. Though it...

Michelle Mayfield

The title of Michelle Mayfield’s most recent c.d. comes from a Ralph Waldo Emerson line: “What lies behind us and what lies before us...

Regina Spektor

While half-dozing on the couch recently, I faintly overheard Jay Leno introduce his night’s musical guest. Never heard of her. Zzzzz. Deep sleep was...

It’s Hip to Be Square

I love hipsters, I really do. I know I make fun of 'em a lot, saying they're too cool for school, that they're way...

Urizen

Urizen is a local metal quartet, though “metal” may be too limited a word to describe exactly the kind of racket Urizen makes. Their...

Jason Boland & the Stragglers

Jason Boland & the Stragglers promote themselves as country outlaws, but if their new c.d. is any indication, they might be in a transition...

Red Scare

The five guys in Red Monroe think of themselves primarily as a live act — they say that onstage is where their bombastic post-punk...

The Burden Brothers

No reason to describe this one in faux-poetic terms or edu-ma-cational journalism. The Burden Brothers’ new album Mercy rocks your backside about 75 percent...

The Damnwells

The Damnwells have come a long way since recording their debut c.d., the stripped-down Bastards of the Beat, in a mini-storage unit in Manhattan....

Nina Simone

The very concept is a bit jarring: Take one of the most socially conscious, independent, folk-jazz, whatever-style-she-wanted-to-sing artists from the 1960s. Ask some of...