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Nina Chanel Abney’s Presence
Just two blocks away from the Modern Art Museum of Fort Worth, Stuart David’s “In Full Swing” hangs in the lobby gallery of the...
Just Looking: Arnoldo Hurtado’s Artscream
As much as he is a visual artist, Arnoldo Hurtado is also a traveler –– across both place and time, and from tradition to...
Drenched in Pathos
Emotional release raineth all over the stage at Circle Theatre, where the company ushers in its 37th season with newly named executive director Tim...
Shaping Our Heritage
Landscape architect Lawrence Halprin (1916-2009) had been established in private practice for 20 years in San Francisco when he was invited to Fort Worth...
Social Sculpture
Darryl Ratcliff is an award-winning artist, curator, and writer whose work addresses how cultural activities transform communities. He was the inaugural artist-in-residence at Trans.lation...
Trio
What if it were possible to separate colors from nature, drape them on a clothesline, and look at them when they had dried? Ellen...
Conducting Virtuosity
The 52-year-old Fort Worth Youth Orchestra has played an active role in sending many classical musicians’ careers into orbit, including that of TCU violin...
Western Memories
There are two concurrent exhibitions of photography at Fort Works Art right now. In the street level gallery is Laura Wilson’s Photographs in the...
The Year in Beer
The thing to remember about 2017 isn’t that more people were turned onto craft beer. It’s that more folks here and regionally began drinking...
Life Unplugged
Painter Sam Swihart’s “Cosmetic I,” “II,” and “III” is a grotesque series of black-and-white portraits depicting morbidly disfigured faces. The three male subjects are...
